Tuesday, February 25, 2014

Reflections on African Women's Theology - On Mercy Amba Oduyoye 1

Daughters of Anowa: African Women and Patriarchy
by Mercy Amba Oduyoye   Part One 

In Daughters of Anowa, Mercy Oduyoye says “Myths and folktales shaped and continue to shape social relations, even under modern political systems” (19). Oduyoye names these important works “religio-cultural corpus” and claims not only does it provide the social history and collective memory of Africa, it also serves as a source of authority for decision making to this day (20). Oduyoye reviews different origin myths throughout African cultures, lifting up the role of the feminine and female in the stories. She also contrasts these stories with stories of the feats of male human being glorified and praised. She traces threads of assumptions about women’s power and sees that often the power of life-giving, life-affirming is reinforced and valued, where as any power used to destroy life is judged as evil (29). While this ideal sounds pretty, it reinforces not just the submission of women to male power, it condemns women who resist being sacrificed or taken advantage of. She concludes the chapter stressing the value of these stories, but also the value of asking who benefits from the moral conclusion of the story as well.
 “We cannot overestimate the power of folktales as vehicles for the transmission of norms” (37). From there, Oduyoye reflects on the language used to describe women within folktales. Reading these folktales reminded me of reflections I had about Disney princesses and gender roles. I wrote a blog reflecting upon viewing of the 2012 Hollywood movie “Snow White and the Huntsman” (http://jadedmystic42.blogspot.com/2012/11/choice-c-neither-evil-queen-or-innocent.html ). It was advertised as portraying a more independent and liberated Snow White and more complicated villain in the Queen. However, as I said in my blog “The most basic theme to draw from this movie is that the only power females have are purity and beauty. And the ultimate power is to have both. Purity and beauty is the inspiration for men to war, for people to unite, and the only way hope transcends despair….However, the impure Queen has an insatiable appetite for strength over men and being in control,  while Snow White is the epitome of purity suffering through darkness and wins the hearts of men through selfless acts of sacrifice and goodness… Snow White's more acceptable journey into queendom is through maintaining her innocence despite temptations and exposure to reality. She woos men of all kinds with her innocence and beauty, the power she holds with these  traits conquers the evil of an empowered decisive woman destroying the kingdom.”
I see similar themes within the work Oduyoye does reflecting on African folktales. There is power within the way women are portrayed within these stories. We hear them from the time we are born and it influences us. As I wrote in my blog, as a young girl, even though I was told I could “save” myself, I was told it was not only easier to be saved by Prince Charming, it also affirmed my value as a human being to be rescued by a man. What does this do to the minds of little girls and boys to be imprinted with these values and how can we resist and challenge it? Consumerism and capitalism in the Global North and colonial infiltration everywhere sells sex, but to little boys and girls, it is about acceptance… which means as we age acceptance translates into sexual identity. It is a long and twisted journey.
In African Women, Letty Russell tells a story of who Mercy Oduyoye is through images of their time together as well as through images within scripture. So many rich and descriptive statements about Oduyoye, but by far, my favorite is “Into the cracks of colonial theology she has poured creative understandings of the church and mission, and become the mother of African women’s theology (46). Russell goes on to claim “They reach out to a compassionate God and work to transform Africa ‘from a hostile space into a nurturing womb and cradle provided by God’” (55). I see Oduyoye challenging the perspectives of woman’s values only relevant to her role as mother to a son, questioning the assumption of devaluation of women who bear no children. This is important to me personally and academically. In reflecting on how shame and judgment are used to limit and oppress women’s influence on community, how can we, as critically conscious citizens, respond? Where does the metaphor/image of woman empowered as a mother figure fit into the mindset of women who choose to not have children, but most importantly women who are infertile. To desire children but to be unable to, raises significant questions of worth and value within the minds of women raised to believe motherhood is a primary role of women. As a pastoral care scholar and chaplain, these questions affect the type of care I teach and give.

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